
Thirsty for Rio.
A Farm Rio x Stanley 1913 launch walked to two store doors: 20 chalk stencils at 24x24, ten on the SoHo approaches to 113 Prince St and ten on the Williamsburg corridors around 65 North 6th St, installed ahead of back-to-back store events. The tumbler artwork took a layered two-stencil cut to read.
- Placements21
- FormatMulti-format
- Documented199install photos on file
Two store doors, twenty stencils, one thirsty parrot.
Farm Rio is a Brazilian fashion and lifestyle brand, and this run backed a collaboration launch with Stanley 1913, produced through Skep360 on Farm Rio's behalf. The brief had two fixed anchors instead of one: back-to-back store events at 113 Prince St in SoHo and 65 North 6th St in Williamsburg. The street campaign's job was to walk people to both doors.
20 chalk stencils at 24x24, two designs, split ten and ten. Each neighborhood got its own lockup: THIRSTY FOR RIO with the Stanley tumbler standing in as the I, then the store address and event date underneath.
SoHo stencils pointed to 113 Prince St and August 15; Williamsburg stencils pointed to 65 North 6th St and August 16. Installed August 12, so both approaches were primed days before the doors opened.
Placement followed the brief exactly: concentrated on the high-traffic approaches around each store rather than scattered across the neighborhoods. In SoHo that meant Prince, Spring, Mercer, Greene and the Broadway spine, including the subway entrance at Prince St. In Williamsburg it meant the North 6th corridor plus Bedford and Wythe, the blocks that feed the store's front door.



The tumbler artwork forced the production decision on this one.
The design carried art inside the cup silhouette, and cutting it as a single laser-cut stencil would have left only the cup's outline: the interior artwork would have fallen out of the template entirely. So the interior art was cut as its own stencil and registered on install, two passes per placement, layered so the design landed exactly as it was drawn.
That is the difference between a stencil that works and one that does not. A single-pass cut is cheaper and faster, and it would have shipped a blank cup.
Where it ran.
GPS puts ten placements on the SoHo approaches and ten across Williamsburg, with every location on the documented list below.
Chalk was the right material for both neighborhoods: it reads clean on the pavement, and it washes away when the campaign is done.
Proof.
The delivery archive holds 199 GPS-tagged frames from the documentation pass; the 28 strongest run on this page.
Common questions.
How far ahead of a store event do the stencils need to go down?
These went in on August 12 for events on August 15 and 16, so both approaches were primed several days before the doors opened. In New York the normal booking window is 5 to 7 days from approved creative, and a tighter date goes expedited at 24 to 72 hours for 80 to 150 percent above standard. Creative approval is usually the long pole.
What happens when the artwork has detail inside a shape?
It gets cut as more than one stencil. The Stanley tumbler carried art inside the cup silhouette, and a single laser-cut template would have dropped that interior art and left a bare outline. The interior was cut as its own stencil and registered on install, two passes per placement, layered so the design landed as drawn. Artwork built that way gets flagged at the file stage, before anything reaches the cutter.
Can one campaign serve two store locations at once?
This one did. Twenty stencils split ten and ten, with a separate lockup per neighborhood. The SoHo stencils carried 113 Prince St and the August 15 date. The Williamsburg stencils carried 65 North 6th St and August 16. Each set concentrated on the approaches feeding its own front door rather than spreading across the neighborhood, so a person reading one was already walking toward the store it named.
Do you work through agencies or only direct with brands?
Both. This run was produced through Skep360 on Farm Rio's behalf. The documentation standard does not change either way: every placement photographed with coordinates logged, and the delivery archive from this campaign holds 199 GPS-tagged frames. The wrap deck goes to whoever holds the account within five business days.
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Campaign documented by Beyond Street Media's NYC crew, August 2026.



22 additional installs.






















Where the stencils landed.
Twenty-one documented locations across the two store approaches: Prince, Spring, Mercer, Greene and Broadway around 113 Prince St in SoHo, and the North 6th, Bedford and Wythe corridors around 65 North 6th St in Williamsburg. Every pin comes from the install list, address by address.
- 01113 Prince St, SoHo, Manhattan · SoHo store · Aug 15 event40.7253°N · 73.9996°W
- 02100 Prince St, SoHo, Manhattan40.7246°N · 73.9991°W
- 0375 Prince St, SoHo, Manhattan40.7241°N · 73.9973°W
- 0454 Prince St, SoHo, Manhattan40.7235°N · 73.9963°W
- 0527 Prince St, SoHo, Manhattan40.7231°N · 73.9945°W
- 06569 Broadway, SoHo, Manhattan40.7244°N · 73.9978°W
- 07519 Broadway, SoHo, Manhattan40.7222°N · 73.9997°W
- 08153 Mercer St, SoHo, Manhattan40.7252°N · 73.9984°W
- 0996 Greene St, SoHo, Manhattan40.7241°N · 73.9998°W
- 10113 Spring St, SoHo, Manhattan40.7238°N · 73.9998°W
- 1172 Spring St, SoHo, Manhattan40.7225°N · 73.9977°W
- 1234 N 6th St, Williamsburg, Brooklyn40.7199°N · 73.9628°W
- 1365 N 6th St, Williamsburg, Brooklyn · Williamsburg store · Aug 16 event40.7193°N · 73.9612°W
- 14102 N 6th St, Williamsburg, Brooklyn40.7185°N · 73.9606°W
- 15139 N 6th St, Williamsburg, Brooklyn40.7177°N · 73.9587°W
- 16164 N 6th St, Williamsburg, Brooklyn40.7171°N · 73.9583°W
- 17204 Wythe Ave, Williamsburg, Brooklyn40.7184°N · 73.9618°W
- 18210 Bedford Ave, Williamsburg, Brooklyn40.7170°N · 73.9588°W
- 19223 Bedford Ave, Williamsburg, Brooklyn40.7163°N · 73.9591°W
- 20161 N 7th St, Williamsburg, Brooklyn40.7178°N · 73.9575°W
- 21144 N 7th St, Williamsburg, Brooklyn40.7182°N · 73.9586°W
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