Wheatpaste poster advertising in Texas.

Yes, on private walls with the owner's written consent, settled before paste day. There is no single statewide wheatpasting statute in Texas. The rule lives in municipal code, so Austin's sign provisions read differently from Houston's or Dallas's, and the constant holds in all of them: a private surface plus documented permission is legal, and public infrastructure is not. We never touch utility poles, traffic signs, transit surfaces, or municipal right-of-way.

Austin, Houston, Dallas, and San Antonio. In Austin we run East Austin and the South Congress corridor. Houston centers on the inner-loop districts, where True Religion ran with us. Dallas and San Antonio are quoted on the same crew rotation. Each city has its own surface profile and hold time on file, and a statewide Texas run is coordinated as a single multi-city program rather than four separate vendor relationships.

Campaigns start at $3,500 per city with printing and installation included. Texas holds longer than the coastal markets, so the refresh cadence is lighter and more of the budget goes into initial placement count rather than replacement. Multi-city tours pairing Texas metros start at $25,000. Every figure is a published floor, not an RFP gate, and a line-item quote returns in 24 to 48 hours.

Yes, and those windows are the single most requested thing we do in Texas. Festival weeks compress a year of foot traffic into days along a handful of corridors, which is exactly the condition paste-up is built for. Those dates book out well in advance and wall availability tightens as they approach, so the brands that land the strongest corridors are the ones that claim them early. Send the window with your brief.

Five to seven days from approved creative to first wall on standard scope. We print in-house rather than brokering production out, so there is no outsourced lead time to wait on. Texas installs run pre-dawn through the hot months so the paste cures before direct sun, which shapes the dispatch schedule but not the overall timeline. Festival windows should be booked further out.

Because the walls are not fought over yet. In New York a strong corridor can be pasted over within days, so campaigns there carry a heavy refresh cadence to hold position. Texas surfaces hold considerably longer, which means the same budget buys more days of exposure per placement. That gap will close as the market matures, which is the practical argument for moving now rather than later.