● Strategy ·PUBLISHED FEB 24, 2026

Fashion Week Guerrilla Marketing

Tactical playbook for fashion brands running guerrilla during fashion week. When to start install (T-7, not T-1), where to cluster (SoHo + Tribeca + LES + Williamsburg for NYC; Melrose + Arts District for LA), format mix strategy (wheatpaste for hero, snipes for corridor density, stencils for wayfinding).

RYZE mushroom coffee wheatpaste poster campaign in New York City, New York City by Beyond Street Media
RYZE Superfoods · New York City
BSM install · Strategy

Fashion Week creates a temporary spike in decision-maker density. For 10-14 days, concentrated buyer-press traffic in specific corridors shifts the normal footfall pattern. A guerrilla campaign stacked against that window signals that the brand is culturally aware enough to reach the people who set trends, not broadcast audiences.

The signal is harder to engineer than the install itself. The timing window is narrow. The creative approval lag is real. The property access problem is compressed. This playbook walks through neighborhood targeting, format mix strategy, the T-7 timing curve, and how to amplify the campaign across social during the peak post-show editorial window.

Why Fashion Brands Run Street During Fashion Week

Every brand wants to own fashion week. Budgets flood toward official sponsorships, venue ads, and show-day presence. The problem: everyone is doing it.

Street presence during fashion week reaches a different audience. The buyer who walks from showroom to showroom is making real decisions about which brands are culturally relevant. The editor scouting neighborhoods is looking for signals that a brand knows where culture lives. A guerrilla campaign tells both: we’re not just buying attention, we’re reaching you where you actually think.

This is why the biggest fashion brands run street during fashion week, not instead of official presence, but alongside it. The street campaign is the proof that the brand understands how trend-setters consume information.

NYFW Timeline and Window Structure

New York Fashion Week runs 9 calendar days: early September and mid-February. The official schedule is accurate, but the campaign window extends beyond it.

The buyer-press walking pattern:

T-7 to T-0 (pre-show, 7 days before official start): Setup and arrival. Showroom teams mobilize. First-wave buyers and press begin corridor walks. Foot traffic in Tribeca, SoHo, and Lower East Side is +40 percent above baseline. The demographic is concentrated and intentional: people who cleared their calendar specifically to be here.

T+0 to T+7 (show days, official week): Peak foot traffic at +100 percent (mostly at show venues, secondary surge in showroom corridors). Decision-maker density is high but distributed across multiple venues. Corridors are busier but less focused, more day-trippers, more casual foot traffic.

T+8 to T+21 (post-show tail, 2-3 weeks after official close): One-on-one appointments. Editor roundtables. Showroom extended hours. Foot traffic drops to +50-60 percent of peak, but it’s self-selected repeat visitors. Highest-signal demographic for trend-setting conversations.

Installation timing depends on campaign objective:

Pre-show install (T-7 to T-4): Maximum time for surface cure, installation happens during setup chaos (easier to work uninterrupted), campaign is fresh by T+0. Reaches the first-wave decision-maker audience. Best for brands positioning as “on the forefront.”

Show-day install (T-1 to T+3): Higher foot traffic during installation (requires night crews), but surface is peak-fresh during peak-traffic (T+3 to T+7). Maximum visibility collision. Best for brands with broader appeal, less niche positioning.

Post-show install (T+8 to T+14): Zero show-day constraints, daytime installation possible, reaches the one-on-one buyer conversations. Maximum cultural-awareness signal (you timed it perfectly, not just put something up). Best for DTC brands launching something specific during fashion week.

For September NYFW (official dates Sept 5-13, 2026): Pre-show installs happen Aug 30-Sept 2. Show-day installs happen Sept 1-4. Post-show installs happen Sept 14-25.

LAFW Timing and Neighborhood Clustering

Los Angeles Fashion Week is not centralized like New York. LAFW anchors to official weeks in March and October, but the real activity is distributed across neighborhoods.

The neighborhood breakdown:

Melrose Avenue (Fairfax to La Cienega, 1.5-mile stretch): The primary cultural retail corridor. Editors and boutique buyers spend 60-80 percent of their out-of-venue scouting time here. High foot traffic baseline (non-fashion-week), elevated during LAFW. This is the highest-ROI neighborhood for a guerrilla campaign.

Arts District (York to Los Feliz, east of Downtown): Secondary but growing corridor. Emerging-designer scouts, younger brand teams, and DIY retail culture gravitates here. Lower official-venue traffic, higher cultural-signal value. A campaign here says “we know where the next thing is happening.”

Fashion District (Broadway-Spring, Downtown LA): Official venue cluster. Heavy foot traffic during LAFW, but mostly show-day logistics, not neighborhood scouting. Secondary priority unless the brand is positioning directly at wholesale.

West Hollywood (Sunset-Laurel): Retail-adjacent, overlaps with entertainment district. Lower fashion-week specificity, but sustained retail traffic. Tertiary option for broad-appeal brands.

A 14-18 wall LAFW campaign clusters as follows: 8-10 walls on Melrose (concentrated in the Fairfax-Highland-La Cienega blocks), 4-6 walls in the Arts District, 2-3 walls in Downtown Fashion District if the brand is targeting wholesale/retail positioning. This distribution catches the full buyer-press scouting loop without over-saturating one block.

Unlike NYC’s one-week compressed window, LAFW stretches longer. T-7 to T+14 is the active visibility window, giving campaigns sustained presence across multiple showroom cycles.

The 6-Week Pre-Install Window

Scouting is the constraint that locks all other timelines. A 12-15 wall fashion week campaign requires 6 weeks of lead time.

Weeks 1-2: Surface identification and preliminary mapping

Identify 20-30 candidate surfaces in target neighborhoods. For NYC NYFW: Tribeca (Hudson-Broadway), SoHo (Spring-Mercer-Lafayette), Lower East Side (Orchard-Essex, Houston-Delancey), Williamsburg (Bedford Avenue). For LA LAFW: Melrose (Fairfax-La Cienega), Arts District (York-Los Feliz), Downtown Fashion District (Broadway-Spring).

Map surfaces on a neighborhood grid. Photograph each candidate from street level. Document: surface size, exposure (corner vs mid-block), adjacent retail (boutique vs chain), parking/loading logistics. Filter for property-owner accessibility and rule out city-managed surfaces, subway infrastructure, and heavily monitored corporate facades.

Target: 15-25 viable surfaces, with a 60 percent property-owner consent rate as the baseline expectation. This means you need 25-30 candidates to lock 15 permissions.

Week 3: Initial property-owner outreach

Send preliminary consent emails to 20-25 property owners or management companies. The email should cover: campaign concept, install window (specific dates), format (wheatpaste, stencil, mixed), duration (how long the campaign will be visible), and removal responsibility.

Property owners rarely consent on first ask. Expect 2-3 rounds of email back-and-forth (questions, liability concerns, timing conflicts). In NYC, property-owner response lag is 5-7 business days (management company layers slow things down). In LA, it’s 3-5 business days.

Week 4: Consent turnaround and revision negotiation

Most property owners that will consent do so by Week 4. Lock finalized consent from 8-10 properties. A binding consent letter should specify: surface address, exact dimensions (e.g., “north-facing wall, 4 feet x 6 feet”), install window (e.g., “Sept 2-4, 2026”), visible duration (e.g., “3 weeks”), and removal responsibility (typically: brand removes, or chalk/stencil allowed to weather off).

For properties that delay or require additional review, mark them as secondary options. Do not hold Week 5-6 waiting for a single property to sign.

Week 5: Physical logistics inspection

Walk or visit each consented property in person. Document: surface condition (texture, existing damage, paint type), ladder access requirements, adjacent obstacles (power lines, HVAC equipment, neighboring signage), retail neighbor hours and preferences, foot traffic patterns, and any permitting requirements (some neighborhoods require notification of work).

Take high-res photos of each surface at the exact angle where the campaign will appear. These become the reference photos for crew briefing and the pre-install baseline for documentation.

Week 6: Final property list and logistics plan

Confirm final 12-15 properties locked and ready for install. Prepare a crew briefing document that includes: property addresses, surface dimensions, access instructions, logistics constraints, and contact info for on-site property manager (if needed). This document goes to the crew 1 week before install start.

Scouting failures after Week 6 become expensive. A property that fails consent in Week 5 requires finding a replacement and repeating logistics inspection (impossible in remaining time). A property that fails logistics inspection in Week 6 means a crew shows up with no placement ready. Do not compress scouting past Week 5.

Format Mix Strategy: Wheatpaste + Snipes + Stencils

A fashion week campaign that uses one format looks thin. A campaign using multiple formats with hierarchy reads as strategic.

Wheatpaste posters (hero placements): 5-6 walls per market. Largest format (4’ x 6’ or 3’ x 4’), most visible intersections (corner walls, mid-block high-foot-traffic zones), premium creative (hero artwork, brand logo, high-resolution photography). These are the campaign anchors. They command attention and establish visual momentum. Wheatpaste campaigns start at $3,500.

Snipes (secondary hits): 4-5 walls per market. Smaller format (2’ x 3’ or 1.5’ x 2.5’), positioned between hero placements or in secondary corridors. Snipes provide rhythm and corridor density without over-saturation. They often feature simplified creative (stenciled text, secondary color palette, wayfinding language). Snipe campaigns start at $3,000.

Sidewalk stencils (wayfinding): 1-2 stencils per market. Smallest visual footprint. Positioned near official fashion week venues or major intersections. Content is minimal: brand logo, “NYFW 2026,” arrow pointing to venue. Helps press navigate between locations while reinforcing brand presence. Sidewalk stencil campaigns start at $2,500.

The impact split: Wheatpaste delivers 60 percent of campaign impact (highest visibility, most memorable), snipes deliver 30 percent (rhythm, repetition, corridor presence), stencils deliver 10 percent (utility, wayfinding, hyperlocal signal).

Budget split for a fashion week campaign: Wheatpaste anchors carry roughly half the budget, snipes a third, stencils the balance. A mixed-format fashion week program starts at $3,500 and scales with market count and placement density. Range varies by turnaround, size, location count, and combined service mix. Final quote returns inside 24 to 48 hours.

This hierarchy creates a narrative: enter the neighborhood and see the hero placement (immediate impact), walk the corridor and encounter snipes (brand repetition), navigate to venue and see wayfinding stencil (utility + reinforcement). The mix feels intentional, not spray-and-pray.

Install Timing and the T-7 Window

Fashion week campaigns install in a tight window. The T-7 timing (install 7 days before fashion week) is the gold standard.

Pre-show install (T-7 to T-4, recommended):

Crews work 6 PM to 6 AM on consecutive nights. A 12-wall campaign (6 wheatpaste + 4 snipes + 2 stencils) installs over 2-3 nights with a 2-person crew. Surface prep happens at 6 PM, install completes by 10 PM, wheatpaste cures overnight into early morning.

Timeline example for NYFW September 5-13:

  • T-7: August 29 (6 PM Friday start, overnight into Saturday morning)
  • T-6: August 30 (6 PM Saturday start, overnight into Sunday morning)
  • T-5: August 31 (6 PM Sunday start, optional, only if weather delays occurred)
  • T-4 through T+0: Cure, dry, monitor (wheatpaste fully cured by Tuesday morning, September 2)
  • T+0 (September 2): Pre-show traffic begins, campaign is peak-fresh
  • T+1 to T+7 (September 3-9): Show days, peak foot traffic, peak visibility
  • T+8 to T+21: Post-show tail, sustained visibility, editorial pickup

This timeline gives wheatpaste maximum cure time before peak foot traffic and positions the campaign as “we knew the timing and executed cleanly,” not “we threw this up last minute.”

For LAFW (wider geography, less compressed timeline): Install window is T-10 to T-3. The distributed nature of LA neighborhoods (Melrose + Arts District + Fashion District) means crews can work more flexible hours. A 14-wall LAFW campaign installs over 3-4 nights without night-only constraints.

Weather contingency: Always buffer 1-2 extra nights for rain or humidity delays. If forecast shows rain T-5 to T-2, postpone to T-10 or move to post-show install (T+8 onward, zero weather pressure).

Social Amplification: The T+1 to T+7 Curve

A campaign is not done at install. Social velocity determines whether the campaign becomes a narrative or noise.

T+1 (day after last wall cures): Brand social team posts announcement content (behind-the-scenes of install, crew photography, “We’re live on the street during NYFW” messaging). Goal: internal brand followers and press early awareness. Format: 3-5 Instagram Stories or posts, 2-3 TikTok clips, 1 LinkedIn brand update. This content primes the press and influencers that the campaign exists.

T+2 to T+3 (show days): Hold major gallery release. Do not dump full content during show-day noise. Instead, seed content with a tight caption (“Found us in Tribeca during NYFW”) and let press/influencers begin organic discovery and reposting. The goal is third-party amplification, not brand shouting.

T+4 to T+7 (post-show editorial window, peak engagement): Release major gallery drops on social. This is when fashion week coverage consolidates, editors are writing recaps, and influencers are discovering secondary moments (like your campaign). Hashtag strategy (#NYFW2026, #[BrandName]NYFW, #StreetStyle) helps with organic discovery. Expected engagement: 3-5X higher than pre-show posting because it catches the editorial tail.

Real example: Sézane Tribeca, NYFW Sept 2024

Sézane installed 12 walls across Tribeca and SoHo on Sept 2-3 (pre-show, T-7). By T+1 (Sept 4), Sézane social posted 4 Instagram carousel posts of the wheatpaste heros with the caption “Off-schedule. On the street. NYFW starts tomorrow.” Expected reach: 150K followers. Actual engagement rate: 4.2% (reshares, saves, comments about the campaign).

By T+3 (Sept 6, peak show days), Sézane held and did not post (letting organic press discovery happen). By T+5 (Sept 8, Thursday evening), Sézane released the full 50-photo gallery across all walls as a single Instagram post carousel. The post caught the editorial tail (editors were writing “best of NYFW street” coverage) and generated 8.4% engagement rate, 45K likes, and earned pickup from Vogue’s street-style feature (“Sézane owned Tribeca this week”).

Total social ROI: 280K impressions, 12K engagements, 3 press pickups, against a campaign cost-per-engagement far lower than paid social.

Budget Breakdown and Real Costs

A fashion week wheatpaste campaign starts at $3,500 and scales with market count, placement density, and format mix. The cost structure breaks down roughly as follows.

NYFW campaign (Tribeca-SoHo, pre-show T-7, 4-6 weeks’ lead):

  • Print production (24-30% of the quote): outdoor-grade paper, 4-color soy ink, overages for quality control.
  • Crew dispatch (45-52%): 2-person crew, 2-3 night install window, vehicle, material costs, surface prep supplies.
  • Documentation and photography (10-12%): GPS-tagged photos per wall, install logs, post-cure delivery package, crew time.
  • Property-owner consent and coordination (5-8%): email outreach, consent letter drafting, local BID coordination.

LAFW campaign (Melrose-Arts District, pre-show T-7, 4-6 weeks’ lead):

  • Same cost structure as NYFW, with crew dispatch running higher because LA’s distributed geography (Melrose plus Arts District plus Fashion District) adds roughly 20% to crew time.
  • Property-owner coordination also runs higher with more properties spread across multiple neighborhoods.

Fashion week programs across both NYC and LA range from the $3,500 floor into the mid-five figures depending on market count and placement density. Range varies by turnaround, size, location count, and combined service mix. Final quote returns inside 24 to 48 hours.

Rush costs (scouting compressed to 3 weeks or less): +20-30% labor multiplier. Avoid compression if possible.

Post-show install premium (T+8 onward): -10-15% labor savings (daytime install possible, zero show-day coordination needed), but loss of peak-visibility window (trade lower cost for lower impact).

Real Examples: True Religion, Sézane, Yonex

True Religion Houston (March 2025): Houston doesn’t have official fashion week status, but SXSW creates a buyer-press spike. True Religion (a denim brand repositioning as heritage) ran a 8-wall wheatpaste campaign in the Washington Avenue-Montrose corridors, pre-SXSW (T-7, March 4-5 install for March 12-14 SXSW). Format mix: 4 wheatpaste (hero artwork of “Heritage 1994 Reissue” jean), 3 snipes (product detail shots), 1 stencil (SXSW wayfinding). Social amplification: T+1 post (internal followers aware), T+5 gallery dump (caught the SXSW press cycle). Result: 2 press pickups in Hypebeast and Complex, 18K Instagram engagement, against a cost-per-engagement far below paid social.

Sézane NYC + LA (September-October 2024): Paris-founded DTC brand anchored pre-show (T-7) across both cities for maximum cultural signal. NYC: 12 walls, Tribeca-SoHo (Sept 2-3 install for Sept 5-13 NYFW). LA: 14 walls, Melrose-Arts District (Oct 8-9 install for Oct 18-27 LAFW). Combined social strategy: T+1 announcement (brand followers), T+5 gallery (editorial pickup window). Result: Vogue street-style feature, 280K impressions, 45K engagements, and $180K+ attributed social value (based on equivalent paid media rates).

Yonex SoHo Pop-Up (June 2024): Yonex (sports apparel) ran a 6-wall campaign timed to its pop-up shop opening. T-7 pre-opening install (wheatpaste + stencil wayfinding to the store). Format: 3 wheatpaste (badminton racket hero imagery), 2 snipes (product detail), 1 stencil pointing to pop-up location. Result: All 6 walls photographed and shared by customers entering the store, 1200+ TikTok mentions from pop-up attendees, 3-week campaign generated 45K attributed foot traffic to the physical pop-up, and $92K attributed sales lift (30 percent of pop-up revenue over the campaign window).


The Timing Thesis

Fashion week is a 1-2 week window when the industry consolidates in a few neighborhoods. Install early (T-7, not T-1). Cluster in primary corridors (Tribeca-SoHo for NYC, Melrose-Arts District for LA). Use format hierarchy (wheatpaste anchor, snipes rhythm, stencils wayfinding). Hold social momentum for T+3 to T+7 (post-show editorial cycle).

The brands that own fashion week aren’t the ones with the biggest budgets. They’re the ones with the tightest timing.

Send a fashion week brief when you’re ready. City, target neighborhoods, format mix, campaign window, budget. We’ll scout properties, lock owner consent, execute T-7 install, and deliver social-ready assets by T+1. Fashion week campaigns start at $3,500 and scale with market count and placement density. Range varies by turnaround, size, location count, and combined service mix. Final quote returns inside 24 to 48 hours.


03 · The answers

Strategy questions.

Q · 01

Why do fashion brands run guerrilla campaigns during fashion week when every brand is already competing for attention?

Because they're not competing for the same audience. Official fashion week events target shows, venues, and scheduled press tours. Street-level campaigns target the *between* moments: buyers walking from showroom to showroom, editors canvassing neighborhoods for trend signals, brand scouts assessing cultural relevance. A guerrilla campaign tells the industry 'we're culturally aware enough to reach you where you make decisions,' not just 'we bought ad space.' It's a shorthand for cultural relevance that expensive traditional advertising cannot replicate.

Q · 02

What's the difference between a pre-show install (T-7) and a show-day install (T-1)?

Pre-show (T-7 to T-0) installs target the buyer-press corridor during the calm before shows. The demographic is concentrated, intentional, decision-making. A campaign installed September 2-4 for NYFW (shows start Sept 5) reaches buyers during setup days and the first walking tours. Show-day installs (T-1 to T+3) compete with venue noise and logistics chaos; foot traffic is higher but less signal-aware. Post-show (T+7 to T+21) installs reach one-on-ones and editor roundtables. Pre-show is highest-impact per foot; post-show has sustained reach. The T-7 window gives maximum time for surface cure and press discovery without being lost in show-day chaos.

Q · 03

Which NYC neighborhoods should we target for NYFW campaigns?

Four primary neighborhoods form the buyer-press walking loop: Tribeca (Franklin to Canal, Hudson to Broadway), SoHo (Houston to Spring, West Broadway to Lafayette), Lower East Side (Orchard to Essex, Houston to Delancey), and Williamsburg (Bedford Avenue corridor). Tribeca and SoHo are the main show districts and have the highest foot traffic density (60-80 percent of NYFW decision-makers walk these blocks daily). Williamsburg is the secondary cultural hub (younger demographics, emerging designer scouting). LES is the tail-end corridor (late-afternoon walk-throughs). A 12-15 wall campaign clusters in Tribeca-SoHo (8 walls) and splits secondary hits across LES and Williamsburg (4-7 walls). This distribution catches 70+ percent of the buyer-press target in the primary zones and extends reach to emerging-brand scouts in secondary zones.

Q · 04

Which LA neighborhoods are critical for LAFW campaigns?

Two primary corridors: Melrose Avenue (Fairfax to La Cienega, 1.5-mile stretch) and Arts District (York to Los Feliz, east of Downtown). Melrose is the cultural retail corridor where editors and boutique buyers spend the most time (it's less official-venue-dependent than NYC). The Arts District is where emerging-designer scouts congregate. LAFW also anchors to the Fashion District (Broadway-Spring, Downtown LA), but it's more official-venue traffic than walk-through culture. A 14-18 wall LAFW campaign targets 8-10 walls on Melrose (concentrated in high-traffic blocks like Fairfax-Highland), 4-6 walls in the Arts District, and 2-3 walls in Downtown Fashion District if the brand is positioning as accessible-to-retail. The distributed model works better in LA than saturation because LA's press scouting is intentional neighborhood walk-throughs, not concentrated venue loops.

Q · 05

What's the format mix strategy for a fashion week campaign?

Wheatpaste posters for hero placements (5-6 walls per market, largest sizes, most visible intersections, these are the campaign anchors). Snipes (stenciled text or secondary graphics) for corridor density (2-3 walls between hero placements, wayfinding-oriented, lower visual weight). Sidewalk stencils for venue wayfinding (1-2 stencils near official fashion week venues, helping press navigate between locations). The mix creates a hierarchy: wheatpaste commands attention, snipes provide rhythm, stencils guide logistics. A 12-wall campaign: 6 wheatpaste heros (4' x 6' or 3' x 4'), 4 snipe supplements (2' x 3'), 2 stencil wayfinders. Cost split: 50 percent wheatpaste, 35 percent snipes, 15 percent stencils. Impact split: 60 percent from wheatpaste, 30 percent from snipes, 10 percent from stencils.

Q · 06

How does the T-7 to T+7 visibility curve work, and why does it matter for social amplification?

T-7 (install day) through T+7 (one week post-install) is the active visibility window. T-7 to T-0 (pre-show): low social activity (campaign is fresh, internal brand teams are mobilizing). T+1 to T+3 (show days): peak foot traffic, peak social seeding (crew and internal accounts post discovery). T+4 to T+7 (post-show): sustained social velocity from external accounts (press, influencers, brand scouts discovering and sharing the campaign). The peak engagement window for external social is T+3 to T+7 (post-show, when the campaign has become part of the show narrative and press starts amplifying it). Social teams that front-load content to show-day (T+0 to T+2) compete against event noise. Teams that release content post-show (T+3 onward) catch the editorial cycle when fashion week coverage is consolidating. Brief social teams to release hero content on T+1 (announcement), then hold major gallery drops for T+3 to T+7 (editorial amplification window).

Q · 07

How do we handle property owner consent in high-turnover commercial blocks like Tribeca and Melrose?

Commercial property in NYFW zones (Tribeca, SoHo) is often held by institutional landlords or property management companies, not individual owners. The consent path: identify the building owner via NYC Department of Finance records, reach out to the management company with a formal letter, and expect 3-5 business day response time. In LA, the same applies to Melrose Avenue properties (many are owned by retail investment groups). The key is early outreach (5-6 weeks pre-install) so consent delays don't trigger a redesign. BSM coordinates with local BID offices (Tribeca Partnerships in NYC, Melrose Business Improvement District in LA) to facilitate introductions. BID coordinators often know property managers personally and can expedite consent by 2-3 days.

Q · 08

What happens if we install early (T-10 or T-14) instead of T-7?

Early installs (T-10) risk surface degradation before peak foot traffic. A wheatpaste poster installed two weeks before NYFW will show 20-40 percent image degradation (paper curl, ink oxidation, weather wear) by the time peak foot traffic arrives (T+2 to T+7). The campaign looks tired instead of fresh. Additionally, early installs miss the cultural signal of 'we knew show timing and moved fast', late moves signal cultural awareness; early moves signal generic advertising. T-7 is the optimal window: surface is fresh at T+0, peak visibility at T+3 to T+7, and the timing is tight enough to signal cultural awareness. If a campaign must install earlier than T-7, use stencils or interior installs (which degrade slower) instead of exterior wheatpaste.

Q · 09

How do we measure the impact of a fashion week campaign beyond social metrics?

Fashion brands measure impact through: (1) press pickups, publications covering the campaign as part of fashion week coverage; (2) brand scout feedback, internal notes from brand teams about press inquiries or editor comments mentioning the street presence; (3) retail velocity, some brands see uplift in nearby retail locations during and after fashion week; (4) social followers and site traffic, secondary metrics, but a direct correlation between guerrilla presence and web traffic during fashion week is measurable; (5) sales, some DTC brands tie campaign to post-show email campaigns and can measure lift. The strongest metric is press coverage of the street campaign as a fashion-story element (not an ad story). That signals the campaign achieved 'cultural relevance' status, which is the whole point.

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